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Alex Ketley talks to the Sarasota Herald Tribune about his latest work "Deep South"
Congratulations to David Neumann and Tei Blow, Bessie recipients for Outstanding Production and Outstanding Music Composition/Sound Design for "I Understand Everything Better"
Okwui Okpokwasili's "Bronx Gothic," called a "piercing dramatisation of abstraction" by Australia's The Sydney Morning Herald.
The Hatchery Project, a collaborative residency initiative, supporting luciana achugar, Reggie Wilson, Big Dance Theater and Beth Gill launches new website
Yasuko Yokoshi's newest work, ZERO ONE, is called "haunting" by the New York Times
Gia Kourlas reviews MANCC Returning Choreographic Fellow Miguel Gutierrez’s “Age & Beauty” for The New York Times
Returning Choreographic Fellow Yasuko Yokoshi's "ZERO ONE" previewed by the New York Times.
Emily Johnson talks to San Francisco's KQED Arts about touring her multi-faceted SHORE
MANCC congratulates David Neumann on receiving 2 Bessie Award nominations for "I Understand Everything Better"
Theater Jones reviews Monica Bill Barnes "3 Acts, 2 Dancers, 1 Radio Host" following a tour stop in Dallas
Monica Bill Barnes
MANCC Artist Big Dance Theater's “Alan Smithee Directed This Play: Triple Feature,” reviewed by The Boston Globe.
Big Dance Theater
Emily Johnson talks with Ivan Talijancic of The Brooklyn Rail about her trilogy
Miguel Gutierrez talks about "Age & Beauty Part 1" with CULT Montreal in advance of his Canadian premiere as part of the Festival TransAmériques at the Théâtre Prospero
Congratulations to The University of Akron and DANCECleveland, recent recipients of Knight Foundation funds to start a National Center for Choreography on the Akron campus
Deborah Jowitt calls Emily Johnson's recent New York premiere of SHORE "mysteriously beautiful" in Arts Journal.
Broadway World says Emily Johnson "masterfully, and transcendently" engages the audience with her multidisciplinary storytelling arts during her New York premiere of SHORE
Emily Johnson's New York premiere of SHORE is reviewed by The New York Times
Emily Johnson's SHORE profiled in HuffPost's Arts & Culture section
Returning Choreographic Fellow David Neumann's "I Understand Everything Better" is reviewed by The New York Times who calls the work "deftly strange and confident"
Emily Johnson talks with Culturebot about the week of events that comprise the New York premiere of SHORE
Pitman Theatre at Alverno College, (WI)
Ferst Center, (GA)
Contemporary Arts Center, (OH)
Red Fern Arts Center, (NH)
The Institute of Contemporary Art, (MA)
portrait of myself as my f-a-t-h-e-r
Alexander Kasser Theater, (NJ)
Showing: Treadmill Dreamtime, running in place
FSU dance students work with Chipaumire in development of portrait of myself as my father
Entrypoints, Nora Chipaumire
FSU School of Dance Master's student participates in choreographic laboratory
axis dance company
MANCC Research and Administrative Intern reflects on working alongside Ralph Lemon
Okwui Okpokwasili in residence for Bronx Gothic at MANCC in 2012. Photo by Chris Cameron.
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