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Kate Weare

Kate Weare
Kate Weare
Choreographic Fellow
November 25 - December 15, 2007

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At MANCC, Kate continued to deepen her understanding of the relationship between music and choreography through collaborations with diverse composers/musicians.  Kate’s research agenda at MANCC included exploration of distinct and diverse modes of musical integration, as well as creation of new movement ideas generate as a result of live exchange between musicians and dancers.

artist outcomes   |   community outcomes   |   biography   |   collaborators   |   photos   |   website

 

ARTIST OUTCOMES

Through Kate’s primary collaboration with composer David Ryther and brief interactions with local Tallahassee composers and musicians, Kate deeply experimented with a wide range of sounds and scores and walked away with recorded soundscapes by the collaborating musicians, which could lead to potential commissions for Bridge of Sighs.  Kate said that “she found a synthesis of communication – an intelligent conversation happening between the two [movement and music]”.

 

COMMUNITY OUTCOMES

Professors, Ph.D. students and undergraduate students from the FSU School of Music collaborated as composers and musicians in the studio with Kate, her two dancers and collaborator David Ryther.  For some, this was their first experience improvising with a choreographer.  One of the students stated that this “was the first time I’ve played my instrument in a different way other than how I was trained…I didn’t know how creative I could be once I improvised beyond the classical realm, which was emphasized by the degree of the dancers’ experimentation”. 


BIOGRAPHY

Kate Weare is a young choreographer recently described in The New York Times as helping to define the next generation of dance makers.  Awarded a 2006/07 Joyce Soho Residency (subsidized through the Joyce Theater), Weare was mentored in the studio by Gwen Welliver, Rehearsal Director of Trisha Brown Dance Company.  In April 2007, Weare was among four choreographers selected for MANCC’s ‘Free To Rep’ program with Axis Dance Company and will subsequently be commissioned for a new work, to be performed at MANCC as a part of Tallahassee's Seven Days Opening Nights Festival.  In May 2007, Kate Weare Company won the final round of NY’s The A.W.A.R.D. Show! and was awarded the grand prize of $10,000 for the performance of a 2006 duet, Drop Down.

In July 2007, Kate Weare Company premiered a suite of six new dances entitled, Leveling, at San Francisco’s Theater Artaud to open the West Wave Dance Festival.  In December and April of 2007, Kate Weare Company will enjoy week long Creative Development Residencies at Jacob’s Pillow.  In Spring 2008, the company will continue to work in residence at Dance New Amsterdam in New York to premiere a new 30-minute dance in early May. 

Weare earned her BFA in Dance from CalArts in 1994 and has since presented her choreography in Los Angeles, San Francisco, New York, Belgrade, London and Vienna. Since moving to NYC in 2000, Weare has been commissioned twice by Dance Theater Workshop in 2004 & 2006, and presented work at Joyce Soho, Danspace at St. Mark’s Church, The Kitchen, The 92nd St. Y, WAX, Movement Research at Judson Church, DancemOpolitan at Joe’s Pub, NYU’s Frederick Loewe Theater and La Mama Theater.

Awarded a 2004 Djerassi Artist’s Residency in Woodside, CA, Weare has presented work in SF’s West Wave Dance Festival since 1998, maintaining a bi-costal presence as a dance maker. Weare was nominated for San Francisco’s Isadora Duncan Dance Award for her duet Suit/Skin in 1999.  Weare has also presented work at Highways, LACE and Los Angeles Theater Center, Theater Artaud, The Cowell Theater and ODC Theater, San Diego’s Sushi, Cinema Reks, Belgrade, Teater Kosmos, Vienna and The Place, London.  “Zwei,” a film created with Canadian filmmaker Kenji Ouellet, was an award finalist at the 2001 Dance on Camera Festival at Lincoln Center and screened in the 2003 Dancing for Camera at The American Dance Festival.

 

COLLABORATORS

David Ryther, composer/musician
Kurt Perschke, scenic designer
Doug Gillespie, dancer
Leslie Kraus, dancer
 

David Ryther (Composer and Violinist) is a celebrated violinist in the U.S. contemporary music scene, appearing with such innovative ensembles as Earplay, the San Francisco Contemporary Players, and the intrepid SF Sound Group. Ryther is completing his doctorate in contemporary violin performance at the University of California at San Diego, a world-renowned department for contemporary music. While in San Diego, Ryther performed with the UCSD faculty new music ensemble, Sonor, alongside such musicians as Harvey Sollberger, Steven Shick and George Lewis. Ryther has brought his interpretive power to Darmstadt (200) and the Banff Centre (2002) as a resident performer and soloist. As an undergraduate at the University of California at Santa Cruz, he was first violinist in the University of California new music ensemble Octagon, which performed extensively at all UC campuses, and at Merkin Hall, New York City. Currently, Ryther is an affiliated teacher, member, and occasional conductor with the Villa Sinfonia.
 
Kurt Perschke (Visual Artist and Scenic Designer) recently participated in the Busan Biennale in 2006 as part of the Contemporary Art Projects, the only American invited.  In New York, he was an AIM Fellow at the Bronx Museum in 2005.  Perschke’s video work has been screened at the Kunstvlaai 5 Video Festival in Amsterdam and the Santa Fe Art Institute.  His public art projects have taken place in Barcelona, Busan, Sydney, St. Louis and Portland.  He worked with the Museum of Contemporary Art in Barcelona and has been commissioned by Contemporary Art Museum St. Louis and the Vienna Technical Museum.  Perschke’s RedBall Project will appear in Arizona in January 2008 commissioned by the Scottsdale Cultural Council.  A native of Chicago, Perschke is currently based in New York.  www.redballproject.com

Leslie Kraus (Dancer) graduated from Virginia Commonwealth University with a BFA in Dance and Choreography in 2003.  She has worked with Kurt Haworth and RobbinsChilds, shown her own choreography in New York, and most recently in a music video for Lauren Hoffman's debut album "Choreography." Leslie began dancing with Kate Weare Company in 2005.  Allan Ulrich (Voice of Dance) describes her in Weare’s 2006 duet Drop Down, “Kraus wears her charisma like her flame-red hair... it was hard to blink while she commanded the stage.”
 
Douglas Gillespie (Dancer) established his spirit in California where he was born but developed his charm in Jacksonville, Florida where he was raised.  Since receiving his B.F.A from Florida State University, Douglas has worked with choreographers Ben Munisteri, Heather McArdle and Tennile Lambert.  He is thrilled to be a part of this project with Kate Weare Company.